Originally published in the Mail & Guardian
Zanzibar, well known for its feet-up package resorts, long white beaches and spectacular marine life, offers far more than the 10-night-per-personsharing deals that dominate tourism brochures, particularly when you tackle it without a plan and from the seat of a bicycle.
LoverGirl and Refinement are fairly unlikely names for bicycles. But, surprisingly, they were a particularly good fit for two that Babu, the shifty Stone Town tour operator, wheeled out before us.
Far from the multispeed, shock-absorbing mountain bikes he had promised us earlier, these hefty, classic bicycles were things of mass-production beauty, brimming with practicality and fully deserving of their elaborate titles.
I hopped on to LoverGirl and took her for a quick test ride down the busy beachfront road. Her matt-black steel tubes dipped and flowed effortlessly between her curved handlebars and oversized spring-supported foam seat; a shrill bell resting just before my left thumb harmonised with the screech of the brakes, and looked strangely appropriate alongside a grey plastic carrying basket below. A sturdy luggage rack above the back tyre would be just big enough to carry my daypack, and the kickstand below the perfect pedestal from which to show off her ironic beauty. I was sold.
Most importantly, though, the single gear allocated to us by the Chinese bicycle factory was just right — loose enough, it turned out, to get us over most inland hills, stiff enough to coast comfortably along the sandy beaches and coastal flats. These were bicycles to behold and, after bonding with LoverGirl all the way to the southern tip of Zanzibar, over nine days and 100km, I simply didn’t want to give her back.
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Bruno Brown sees the world through the nozzle of his spray can, and with the help of his alter-ego Rasty, he’s transformed countless dull walls and buildings into mind-blowing, thought-provoking artworks and murals. Along with his crew, Pressure Control Projects, they’ve single-handedly moved graffiti out of the shadows and into respected public spaces around the country. And even though Rasty spends many days doing commissioned graf work, he also finds the time for the odd artistic intervention or bombing spree. Maybe it heralds the end of an era, but traditionally snooty art-scene types are starting to take notice. Originally a Durban boy, Rasty now feeds off the raw Jozi energy and transforms this into living, breathing works of art that are impossible to ignore.
This is all just too weird. I mean, totally fucking bizarre. There’s a woman on stilts, mammoth creaking stilts, probably 3 metres off the ground, precariously carving her way through the tables and chairs, careful not to crush the trendoids wearing small rectangular framed specks and loud shirts, however tempting it might have been. She’s dressed to the nines, and holding something in her right hand that she gives short sharp tugs on at regular intervals. A leash. One of those goddamn retractable dog leashes. And at the end of it, is a poodle. A man-sized poodle, on all fours, also 3 metres off the ground. In white garters that, from behind, looks more like a adult diaper. “Cume en Fifi”, she scolds the poor hound in a thick French accent. “Cume en!” And she gives the leash another sharp yank. On the ground below her, a young lass in a full wedding dress skips through her legs down the narrow aisle, sort of weeping, sort of flailing, into the dark depths of the hall, past a woman with 8 exposed breasts, towards massive black and white projections of vintage flicks of beautiful ditsy blonde broads with perky tits.
kids on leashes. There was a disappointingly low number of people lying face-down off their heads on drugs, and only a few dozen paralytic drunks stumbling over the uneven ground – most of them were respectably throwing up and sobering up in the rambling stream. There was, now that I think about it, a very small number of ageing tie-died hippies. I spied one though, living out of his rusty 60s Volksie bus in the campsite, who, apart from the leash-less kid, looked like he was trying his best to relive the Synergy glory-years. But he really just looked tired and jaded, defeated, and not wired and free and ready to spin circles on the dance floor. But then again, this wasn’t the Synergy of the 90s, those wild, drug-fueled dance parties; this was Synergy Live, the original’s softer cousin. So there were plenty of school kids, lots of hipsters, lots of Afrikaners, a few more souties, less than a handful of black kids, spectacular heat, a theme park, thousands of tents, a river, and way too much dust.
San Francisco, that beautiful, eclectic city on America’s west coast, owes a fair deal of its popularity to a cheesy family that lived in a postcard-worthy house just a short stroll away from the picturesque Alamo Square.
